Venus-Plants

                  Venus-Plants                                i.               (Dionaea Muscipula)        A Venus-flytrap is a vampire-plant – A carnivore – designed so cunningly It seems as innocently generous In free, luxuriant profligacy As any nectar-yielding source could be.      How openly it offers-up itself; Its leaves – spread […]

                  Venus-Plants

 

                             i.

 

            (Dionaea Muscipula)

 

     A Venus-flytrap is a vampire-plant –

A carnivore – designed so cunningly

It seems as innocently generous

In free, luxuriant profligacy

As any nectar-yielding source could be.

     How openly it offers-up itself;

Its leaves – spread broadly bare and welcoming –

Mellifluous, exuding ichor, (sweet

To taste and censing pleasant pheromones),

Attractive to small insects foraging

In search of something ripe to drink or eat.

     Arriving at a leaf, each insect sups

The moist intoxicant contentedly,

(Like some debauchee deeply in his cups,

Oblivious of environmental space),

Until it touches, inadvertently,

One of the bristles scattered randomly

About the surface of that drinking-place.

     At once the sugared source snaps firmly shut,

Imprisoning the victim in a trap

From which there’s no escaping certain doom,

Although it struggle to the last behind

The spine-barred window of that living tomb.

     From each small death the Venus-plant sucks life

For its own benefit; consuming flesh

To resupply itself with nutrients.

     Then sometimes, (strange as any miracle),

Appears a lovely blossom – delicate

And faintly smelling of rare-perfumed scents –

Which flourishes a brief while, then expels

Minute seed-spores to propagate afresh

Its ancient species in unchanging state.

 

                               ii.

 

           (Homo Sapiens Poeticus)

 

     Don’t poets, like the Venus-plant, adopt

Such subtle dispositions?.

                                          Honeyed words

Attract the fascinated interest

Of minds in search of sensory rewards;

Their mellow phrases inundate held hearts,

Drown inhibitions and intoxicate

Profound absorption into disregard

For all except the pleasures they donate

In seeming liberality.

                                   But those

Unfortunates who find themselves seduced

And overwhelmed by such devised delights

Of variegated verbal artistry

Into abandoned ecstasies, soon find

Themselves ensnared, unable to break free.

They squander their concerns on these induced

Desires – to satisfy their need for more

Ambrosia which, like morphia, now binds

Them in addictive thrall.

                                        Those poet-minds

That first attracted them towards their source

Now feed upon their captives’ inner selves

Voraciously.

                     Unable to escape

Such all-consuming, self-sustaining force –

Predaceous, vampiric, vicarious –

Their victims are abstracted out of sense.

     Sensivore poets, absorbing the strength

Derived from such inalienable ties,

Put out fresh blossoms of rare poetry

That, in their potency, engender seeds

To guarantee the continuity

Of their own ancient species – which still breeds

Unchanged, as it has done through history –

Gaining their nourishment from others’ needs.

 

                                  iii.

 

I pose this parallel because I seem to see

(In plants and poets both), Blake’s ‘fearful symmetry’.

Author: J. A. Bosworth

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