Proportionality
(In flagrante delicto)
Tie them up – so! –
As Leonardo
Posed his ‘Proportionate Man’:
That at my leisure
I may then pleasure
My retributory plan.
Strip off their clothes
To starkly expose
Intimate attributions,
So each one can see,
With close clarity,
The sites of their collusions.
Fasten those chains
So their promised pains
Will not permit them relief;
For they must repay,
This very same day,
The debt they owe to my grief.
When you’ve done all,
Depart till I call
You to unloosen their chains;
To what else you hear
Just turn a deaf ear:
Punishment often brings pains!.
* * * * *
Now we’re alone –
We three on our own –
Closed in this dungeon of tort,
You’ll both feel and see
The sharp agony
Engendered by wanton sport.
You dared ignore
The threat which I swore
Should you give way to desire.
Now you’ll discover
That this thwart lover
Burns with a violent fire!.
You will regret –
But never forget,
Once you have felt my revenge! –
Your impudent lust
That cuckolded trust:
Dishonour I must avenge!.
I will not shirk
My pain-driven work
To chastise your carnal vice,
Until you have met
The ransom I’ve set
As immorality’s price.
Nor shall I haste
To scourge your flesh chaste;
Pity is not in my thought!.
You’ll suffer so much,
As devices touch,
Where you’ll wish they were not brought..
The bitter whip
Your stressed skins will rip,
And other instruments prise
Those delicate parts
Which led your lewd hearts
To gross infidelities.
Never again
Will freedom from pain
Lighten your lives’ misery:
My anger shall blight
Each day and each night:
You’ll wish you hadn’t wronged me!.
* * * * *
Now we’re alone –
We three on our own –
Here in my dungeon of dole,
Should he – or she – first
Endure the pains nursed
In the dark depths of my soul?.
[Note: Although Leonardo da Vinci’s early-16th century AD Notebooks made the ‘Proportionate Man’ image famous – it shews a naked man, spread-eagled like a star within a circle, as if tied to a frame – it was actually designed by the 1st century AD Roman architect Marcus Vitruvius Pollio to demonstrate his Principles of Proportionality, so it is sometimes called ‘Vitruvian Man’. I used Leonardo’s name in my poem because he is far better known than Vitruvius. J.A.B]